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Reviews, Awards, and Testimonials |
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MISS SAIGON"Kudos to the lighting and sound crew for bringing a truly convincing “helicopter” to the Wells Fargo Pavilion." - The Davis Enterprise "stirring and visually stunning production… The offstage helicopter effect was loud, disturbing and startling — exactly as it should be during the frenzied escape from a doomed city." - The Sacramento Press |
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THE PRODUCERS"Martin E. Vreeland’s lighting creates the spectacular visual effect Music Circus audiences have come to expect." - Sacramento Press |
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TRYST"Martin Vreeland's suitably gloomy lighting changes slightly at moments of dramatic tension, augmenting the action." - Backstage "Michael Schweikardt’s set, Alejo Vietti’s costumes and Martin Vreeland’s lighting work integrally with one another to create visually evocative ambience." - WomanAroundTown.com |
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GREETINGS!"We couldn’t actually see theater without them, but lighting designers are rarely on our minds as we watch plays. It’s a little different with Tom Dudzick’s 1990 comedy “Greetings!” He’s made the lights a crucial part of his story. And Martin E. Vreeland, the designer of the lighting effects in the production at Penguin Rep Theater in Stony Point, in Rockland County, has gotten them all just right." - New York Times |
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DIRTY ROTTEN SCOUNDRELS"Lighting by Martin E. Vreeland and scenic design by Michael Schweikardt combined beautifully to create a sense of place. They were definitely up to the quality expected by the Music Circus audience." - Sacramento Press |
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JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT"Martin E. Vreeland’s lighting was very effective in setting the scene and mood." - Sacramento Press |
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FREED"simple platform set of wooden slats that curve up to form a looming backdrop allows lighting designer Martin E. Vreeland the opportunity for discreetly mood-enhancing work, both peeking through the slats and projected on them." - Backstage "the lighting by Martin E. Vreeland works well, helping to convey various layers of emotion and meaning at different points in the show." - The Epoch Times "The very simple and organic set is enhanced by a great lighting design… The lighting focuses the play on the individuals and just as the costumes set the era well, without being too overbearing." - Reviews Off Broadway.blogspot.com "versatile lighting by Martin E. Vreeland." - Bloomberg News "The staging, costumes and lighting deserve a special nod... The lighting design accents the scenes well, painting the stage in some very cool colors." - Theatre is Easy.com
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SEEING STARSNYMF Outstanding Overall Design: honorable mention to Seeing Stars (Michael P. Kramer, sets; Martin E. Vreeland, lights; Stephen Kunken, sound; David Toser, costumes). |
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FREE MAN OF COLOR"the lighting of Martin E. Vreeland helps keep things clear." - New York Times |
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CRAZY FOR YOU"choreography slickly re-created by Vic DiMonda framed and accessorized glamorously by Michael Bottari and Ronald Case's set and costume designs and Martin Vreeland's lighting." - Newsday |
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THE FOREIGNER"The physical production is outstanding: Gail Baldoni’s costumes and Mark Adam Rampmeyer’s hair design recall the 1980s. Court Watson has created a handsome lodge with an especially eye-catching staircase banister. And David Premack’s sound combines with Martin Vreeland’s lighting (and water streaking the lodge’s windows) to evoke a realistic thunderstorm." - New York Times |
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THE MIAMIANS"an attractive Art Deco-ish set designed by Nana Ramey and nicely lit in South Florida tones by Marty Vreeland." - Herald Tribune |
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PURE CONFIDENCE"Marty Vreeland’s lighting is on the mark." - Aisle Say "Marcella Beckwith's costumes give a sense of place and station, and look elegant under Marty Vreeland's lighting." - Herald Tribune |
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JEWTOPIA"Nayna Ramey’s Star of David-soaked set, lit like a blue heaven by Marty Vreeland" - Aisle Say |
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ANYTHING GOES"Martin Vreeland's lighting is spot-on" - NY Daily News |
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A CHRISTMAS STORY"well-executed set and lighting design" - Talking Broadway |
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CINDERELLA"Martin Vreeland's lighting and John A. Stone's sound are fully up to NSMT's high standards." - Aisle Say "The mood setting lighting including a glowing full moon" - Little Rhody Theatre |
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SINGIN' IN THE RAIN"impressive lighting by Martin Vreeland." - Aisle Say |
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THE MIKADO"splendid lighting which makes the set look beautiful" - Theatre Mirror |
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